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
Hemm tliet aspetti li jibnu “poplu” fi knisja vera, “Poplu Qaddis ta’ Alla” uniku: l‑art, l‑istorja, l‑espressjoni tal‑fidi. L-ewwel aspett huwa l‑mod kif il‑poplu jgħix f’armonija f’artu u mal‑art li tagħtih l‑għajxien.
Fl‑enċiklika tiegħu Laudato Si’, il‑Papa Franġisku jsejjaħ għal “konverżjoni ekoloġika,” fejn ir‑relazzjonijiet ġusti bejn il‑membri kollha tas‑soċjetà—jiġifieri, kif jingħaqdu flimkien biex jibnu “ċ‑ċiviltà tal‑imħabba”—jidhru wkoll fir‑responsabbiltà sħiħa lejn id‑dinja u l‑ambjent naturali.
Ir‑regħba mhux biss taħtaf minn dak li hu ta’ ħaddieħor, imma fl‑aħħar mill‑aħħar tħarbat u tisraq mill‑pjaneta stess. Ir‑regħba teqred ir‑relazzjonijiet ekonomiċi, soċjali u politiċi. U tispiċċa wkoll biex teqred lill‑bnedmin stess għax qatgħu kull rabta mal‑“omm”—l‑art, il‑baħar, l‑arja—li tagħtihom il‑ħajja.
Meta jitgħallmu japprezzaw kif kollox hu marbut flimkien—kif l‑identità unika ta’ poplu tissawwar permezz tar‑realtà kulturali u soċjali partikolari li fiha titnissel—il‑bnedmin imbagħad isiru verament sensittivi għall‑mod kif Alla jiltaqa’ magħhom fir‑realtà partikolari tagħhom. Bħala Ħallieq, Feddej u Sostenitur, Alla jħeġġiġhom għall‑konverżjoni personali biex isiru poplu li jibnu n‑nazzjon tagħhom u jikkontribwixxu għall‑fejqan tal‑ambjent sħiħ.
(Mid-dokument Knisja Waħda, Vjaġġ Wieħed paġna 25-26)
